
Here in this group if someone has any information to share about it. Not reveal any such information in the Saracon user manual, I'm asking Me or my assistants are well versed at all). Seemed only possible with Saracon used in CLI mode (for which neither As itĪppeared (and unfortunately without any further explanation), it That tells Saracon to retain original metadata in the process. I've searched a workaround to this problem on the Net, and found onlyĪ very short mention (I seem to remember by Uli Franke) of a command Sample rate conversion process wipes off any existing metadata from of Time having to manually re-type all the metadata content for each andĮvery audio CD that I plan to use in our project, as the Saracon Proved itself to be the most reliable SRC software tool we could findįrom a "librarian" perspective, though, it's a considerable waste of That's the background story on why I got to use Saracon in the end,Īnd from a sonic perspective I don't regret any of it, it simply Obviously showed more failures over high distance transfers without While it proved reasonably reliable with the vast majority of existingĪES/EBU or DMX 110 Ohm commercial cables over long runs (while 96 kHz This resulted in converting audioįiles originally in 44.1 kHz sampling rate to 48 kHz, which isĬonsidered acceptable as far as quality matters for our purposes, Workgroups in different places, the sample rate conversion process hasīeen decided to happen at non-realtime, not hardware-based, but with a Since these tests must be repeatable, if needs be by different The dynamic range of the device), but can't of course be 44.1 kHz in


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